Biography of Ugolino di Nerio
Ugolino di Nerio (? – ) was an Italian painter active in his native city of Siena and in Florence between the years and He was a follower of Duccio di Buoninsegna, from whose Maestà some of his scenes are clearly derived.
Category : Paintings by Ugolino di Nerio - Wikimedia
Biography. Italian painter, also known as Ugolino da Siena. He was probably a pupil of Duccio and perhaps his most faithful follower. He is documented in Siena from to and appears to have been an important artist with a successful workshop. Ugolino di Nerio (documented 1317-27; died possibly 1329 ... Ugolino di Nerio (1280? – 1349) was an Italian painter active in his native city of Siena and in Florence between the years 1317 and 1327. He was a follower of Duccio di Buoninsegna, from whose Maestà some of his scenes are clearly derived.Ugolino di Nerio - Wikimedia Commons Biography. Italian painter, also known as Ugolino da Siena. He was probably a pupil of Duccio and perhaps his most faithful follower. He is documented in Siena from 1317 to 1327 and appears to have been an important artist with a successful workshop.UGOLINO DI NERIO - Web Gallery of Art For the greater part of its known history, this panel has been attributed to the Sienese painter, Ugolino di Nerio. It follows the Italo-Byzantine style. The elaborate use of gold, and the static, icon-like figure shows the influence of Byzantine tradition, while the soft, emotional expression in Francis’s face is more characteristically Italian. Ugolino di Nerio - Viquipèdia, l'enciclopèdia lliure
For the greater part of its known history, this panel has been attributed to the Sienese painter, Ugolino di Nerio. It follows the Italo-Byzantine style. The elaborate use of gold, and the static, icon-like figure shows the influence of Byzantine tradition, while the soft, emotional expression in Francis’s face is more characteristically Italian. 
Art in Tuscany | Ugolino di Nerio
U golino di Nerio (? - ) was active in his native city of Siena and in Florence between the years and He was a follower of Duccio di Buoninsegna, from whose Maestà some of his scenes are clearly derived. All the same, this part of the collection holds works by artists who were some of the most important Italian painters in all of art history —. U golino di Nerio (1280? - 1349) was active in his native city of Siena and in Florence between the years 1317 and 1327. He was a follower of Duccio di Buoninsegna, from whose Maestà some of his scenes are clearly derived.
Ugolino di Nerio - Wikipedia
Ugolino di Nerio was an Italian painter active in his native city of Siena and in Florence between the years and He was a follower of Duccio di Buoninsegna, from whose Maestà some of his scenes are clearly derived. Ugolino de Nerio (about 1280 - 1349) - The Barber Institute ...
Ugolino’s approach to design and composition clearly reveals the influence of Duccio but he deployed a markedly different technique, using azurite for the blues rather than ultramarine, a rich and complex palette and little use of preliminary underdrawing.
Ugolino di Nerio was an Italian painter active in his native city of Siena and in Florence between the years 1317 and 1327. He was a follower of Duccio di Buoninsegna, from whose Maestà some of his scenes are clearly derived.
Ugolino di Nerio (1280? Ugolino’s approach to design and composition clearly reveals the influence of Duccio but he deployed a markedly different technique, using azurite for the blues rather than ultramarine, a rich and complex palette and little use of preliminary underdrawing.
For the show at the Met, Mr. Rosenbaum had added entries on the Caravaggio and the Ugolino di Nerio. Ugolino is documented in Siena in 1325 and 1327. The style of his work suggests that he was possibly trained, or at least heavily influenced, by Duccio, the most important Sienese artist of the 14th century. Ugolino's major work was the altarpiece for the church of Santa Croce in Florence.
Ugolino di Nerio, d.1339/1349? - Art UK
Ugolino is documented in Siena in and The style of his work suggests that he was possibly trained, or at least heavily influenced, by Duccio, the most important Sienese artist of the 14th century. Ugolino's major work was the altarpiece for the church of Santa Croce in Florence. Ugolino di Nerio (Ugolino da Siena) - Museo Nacional Thyssen ...
Ugolino di Nerio (? - ) va ser un pintor italià que va treballar a Siena, havent notícies d'ell només en el període comprès entre i Junt a Segna di Bonaventura va ser el seguidor més fidel de Duccio di Buoninsegna.